Jacob Hashimoto
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Works
Jacob Hashimoto
This ever-fragile balance, 2024Woodblock and Screenprint
Fuji DHM-11 Kozo Misumi 536gsm, Cream36 x 33 in / EACH
91.4 x 83.8 cm / EACHEdition of 45© Jacob Hashimoto/Durham Press, 2024Visit our Viewing Room to learn more.Visit our Viewing Room to learn more.Literature
Durham Press is pleased to announce their latest project with artist Jacob Hashimoto, a
series of three prints titled This ever-fragile balance. These works combine woodblock and
screenprint on handmade Japanese paper, each measuring 36 x 33 inches (91.44 x 83.82 cm)
and printed in an edition of 45.
In This ever-fragile balance, Hashimoto returns to the circular format ‘kites’ he began
working with at Durham Press that allow him to freely play with pattern and color in a
modular format. These kites reference the bamboo and paper kites Hashimoto uses in his
large-scale installation works, translating them into in a two-dimensional format as a series
of uniquely patterned woodblocks with a delicate woodgrain framework. They hold kinetic
energy while caught in place on the paper, defying what is possible in Hashimoto’s physically
suspended installations while still maintaining the illusion of gravity. Kites which can now stand
alone are still connected by strings, seeming to hold them together but which often become
tangled as if the kites themselves have pulled them awry with their own entropy.
Kites float through space with semi-transparent inks which converge instead of collide, airy
even in their most condensed moments. Their paths are met by bold rectangles of color that
define each composition, compressing and extending space to create dramatically different
weights in these component parts. Crowded bands of blues and yellows become top heavy, like
a piston pushing down on the floating kites below. In another composition, thin lines delineate
a space full of breathing room even if it is still filled with a complex rectangle structure. This
ever-fragile balance fluctuates between density and lightness to find the midpoint where, if
but for a moment, both states can exist at once.
This ever-fragile balance, as well as other works with Jacob Hashimoto, are available directly
through Durham Press. For more information, please contact us at sales@durhampress.com.
1of 4Viewing rooms
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Jacob Hashimoto | The Vanishing Point of Night – The Secret Lives of Comets Monoprints
2022 -
Jacob Hashimoto | The Necessary Invention of the Mind
2020 -
Jacob Hashimoto | Index I and II
2017 – 2018 -
Jacob Hashimoto | Love’s Great Mystery, Ontological and Absolute
2017 -
Jacob Hashimoto | This Ever-Fragile Balance Series
2024 (in production)
BiographyB. 1973, GREELY, COLORADO
Jacob Hashimoto uses sculpture, painting, and installation to create complex worlds from a range of modular components: bamboo-and-paper kites, model boats, even Astroturf-covered blocks. His accretive, layered compositions reference video games, virtual environments, and cosmology, while also remaining deeply rooted in art-historical traditions—notably, landscape-based abstraction, modernism, and handcraft.Hashimoto has been collaborating with Durham Press since 2015, producing editions and monoprints featuring intaglio, woodblock, and screenprint. His prints often reference his kite works, reflecting on and reimagining aspects of his process—from the blueprint-like imagery of Lemmata (2015), to the nearly two hundred individual kite images in The Hashimoto Index (2018), to the playful compositions of The Necessary Invention of the Mind (2020).Represented by Rhona Hoffman Gallery, Chicago; Studio la Città, Verona, Italy; Galerie Forsblom, Helsinki; Makasiini Contemporary, Turku, Finland; and Ronchini Gallery, London, Hashimoto has been exhibiting internationally since the late 1990s. In addition to numerous solo shows at the aforementioned galleries, he has been the focus of individual presentations at the Museum of Contemporary Art, Chicago (1998); Tacoma Art Museum, Washington (2004); San Jose Museum of Art, California (2004); Mary Boone Gallery, New York (2007, 2009, 2011, and 2016), MACRO—Museo d’Ate Contemporanea di Roma, Rome (2010); Museum of Contemporary Art, Los Angeles (2014); SITE Santa Fe (2018–19); and Crow Museum of Asian Art, Dallas (2018–19). He has produced site-specific installations for locations ranging from Governor’s Island in New York to Willis Tower in Chicago.Hashimoto’s work is in private and public collections internationally, including the those of Cornell Tech, New York; Los Angeles County Museum of Art; Microsoft Corporation; Schauwerk, Sindelfingen, Germany; Jordan Schnitzer Family Foundation; Tacoma Art Museum, Washington; University of Chicago; and the U.S. Department of State.