New Releases: James Nares

Road Paint Prints 1 – 4 | 2016 | Edition of 12

Durham Press has collaborated with James Nares on a new series titled Road Paint Prints. The nine intaglio prints achieve a visual effect similar to his recent Road Paint series of paintings.

For his Road Paint series, Nares brought a road striping machine into his studio. These tools are typically used to create solid dividing lines, dashes, and other traffic indicators on pavement, but Nares walked his machine across large canvases to make gestural marks with thermoplastic paint, often adding glass beads to give the works a textural and reflective quality. These towering paintings—most are 10 by 8 feet—were the subject of a 2013 exhibition at Paul Kasmin Gallery, New York. Utilizing the same machine on site at Durham Press, the Road Paint Prints began by creating these distinct lines on melamine. The raised lines were used to make a casting into a polyurethane mold—the ink could then be hand applied into the crevasses of the mold and printed with an intaglio technique over a black screenprinted background.

The Road Paint Prints feature a similar gestural quality and texture as the paintings but are much more intimate in scale. Each work in the series focuses on a solitary line and emphasizes subtle variations within seemingly repetitive and automatic imagery. This focus on individual marks recalls the artists signature works with isolated brushstroke images on monochromatic backgrounds. The prints also expand on many of his other recent investigations into momentum and suspended action. Like his “high speed drawings,” for which the artist drew on paper while it spun on a motorized, lathe-like machine, or his film Street, which was created with a high-speed camera and presented in ultra slow motion, Nares’s Road Paint Prints explore the perception of movement and velocity. The series takes the anonymous lines that one passes by mindlessly on the highway and instead renders them personal through deceleration.

Several new paintings that stem from the Road Paint series, as well as two of the artist’s films, will be on view in a solo presentation with Paul Kasmin Gallery at Frieze New York 2017, May 5 – 7.

Road Paint Prints and other works by James Nares’s are available directly through Durham Press. For pricing and other information please contact Gwyneth Fearnhead.

DSC_0165

DSC_0306

DSC_0352

DSC_0342

DSC_0499

DSC_0241

JN_RoadPaintPrints_2

_____________________________________________________________________________

NEW RELEASE: POLLY APFELBAUM

PA_AMP_3a

Atomic Mystic Portraits | 2016

In the summer of 2016 Polly Apfelbaum produced 40 monoprints with Durham Press during a week-long visit. Titled Atomic Mystic series, the prints were made in three sizes with distinct identifiers—Atomic Mystic Particles (13 5/8 inches squared), Atomic Mystic Portraits (25 7/8 x 17 inches), and Atomic Mystic Puzzles (25 inches squared).

The series was created with the assistance of six printmakers who inked hundreds of woodblocks in assorted colors and patterns, including rainbow rolls, which Apfelbaum has been incorporating into many of her recent prints. The artist then spontaneously placed the blocks in printing jigs to explore different color combinations and compositions. These range from structured grids to starburst motifs to geometric, botanical imagery inspired by the Italian Futurist Giacomo Balla’s vibrantly painted wooden flower sculptures.

A departure from Apfelbaum’s previous collaborations with Durham Press, the Atomic series arose from a process similar to that of her sculptural and painting works, such as her “fallen paintings” consisting of many dyed fabric components that the artist arranges in situ on the floor, or her Feelies, which are made of colorful plasticine and clay that is left unfired so the pieces can be changed and reworked over time. Adaptability and fluidity are key features of much of the artist’s oeuvre, and the Atomic Mystic series represents her most concerted effort to integrate these concepts into her printmaking process. Created quickly, each monoprint serves as a kind of printed sketch, revealing unexpected moments of variation and exuberance.

Monoprints from the Atomic Mystic series, as well as other prints by Polly Apfelbaum, are available directly through Durham Press. For more information, please contact Gwyneth Fearnhead.

DSC_0156

DSC_0246 copy

DSC_0137

DSC_0070

PA_AtomicPortrait3

_____________________________________________________________________________

Noteworthy: Polly Apfelbaum

polly_apfelbaum_mojojojo_detail_daniel_azoulay_20-1

Mojo Jojo (2001), Synthetic velvet and fabric dye, Dimensions variable, Collection: Pérez Art Museum Miami, FL

Durham Press is pleased to announce that Polly Apfelbaum will now be represented by Alexander Gray Associates in Chelsea, New York. The gallery is planning their first exhibition with the artist for this September.

Apfelbaum has held recent solo exhibitions at: Senior and Shopmaker (2016), Otis College of Art and Design (2016), Bepart, Belgium (2015), Frith Street Gallery, London (2014), Lumber Room, Portland, OR (2014), Worcester Art Museum, Worcester, MA (2014), Clifton Benevento, New York, NY (2014); Burlington Arts Center, Burlington, VT (2014); Mumbai Art Room, Mumbai, India (2013); Galerie Nächst St. Stephan, Vienna, (2012); D’Amelio Gallery, New York, (2012); Hansel und Gretel Picture Garden, New York, (2012); Michael Benevento, Los Angeles, (2011); Carlow Visual Center for Contemporary Art, Carlow, Ireland, (2009); and Milton Keynes Gallery, Milton Keynes, UK, (2009).

Apfelbaum is represented by Frith Street Gallery in London, Galerie nächst St. Stephan in Vienna, Locks Gallery in Philadelphia, and now Alexander Gray Associates in New York. She has been collaborating on prints with Durham Press for over 15 years. A solo show of newly created editions and monoprints titled Chromatic Scale will be on view at the National Museum of Women in the Arts in Washington D.C from March 10th – July 2nd, 2017.
_____________________________________________________________________________

Durham Press @ London Original Print Fair

Screen Shot 2017-02-27 at 9.43.38 AM

Durham Press will be exhibiting at The London Original Print Fair Thursday, May 4 through Sunday May 7, 2017. The LOPF is celebrating it’s 32nd anniversary as London’s longest running Art Fair. Featuring all periods of printmaking, this intimate fair is the largest of it’s kind in Europe.

The Royal Academy of Arts
Burlington House
Piccadilly
London W1JOBD

Dates & Hours
Thursday, May 4th    10am – 9pm
Friday, May 5th      10am – 10pm
Saturday, May 6th    10am – 6pm
Sunday, May 7th      10am – 6pm

For more information about the fair, please visit londonprintfair.com.

_____________________________________________________________________________

NEW RELEASE: MICHAEL HEIZER

MH_HardEdgeEtchings

Hard Edge Etchings | Etching with Aquatint | Edition of 28

Michael Heizer has completed a new group of intaglio prints with Durham Press titled Hard Edge Etchings. The portfolio consists of four prints, each measuring 22 x 19 ¼ inches.

The Hard Edge Etchings were made from custom-cut, shaped copper plates with unique silhouettes, relating to his works on nonstandard canvases: Hard Edge Paintings and his recent Wet Paintings, all of which were shown recently in a solo show at Gagosian, Beverly Hills. Unlike his Hard Edge Paintings—which recall Color Field abstraction with their art historical title and their bold, distinct areas of colors or tone—the prints contain spontaneous yet precise etched lines and shapes that often intersect and overlap. Their active, energetic surfaces harken to the early modernist works of artists such as Wassily Kandinsky and Kazimir Malevich while being decidedly contemporary.

Michael Heizer has been collaborating with Durham Press since 1988. The Hard Edge Etchings are available as a portfolio or individually directly through Durham Press. For more information about these prints and others by Michael Heizer, please contact Gwyneth Fearnhead.

MH_3

MH_2

MH_1

MH_4

MH_5_____________________________________________________________________________

On View: Mickalene Thomas @ Newcomb Art Museum

Photo courtesy of Newcomb Art Museum of Tulane University

Photo by Jeffery Johnston, Courtesy Newcomb Art Museum of Tulane University

Newcomb Art Museum – January 18, 2017 – April 9, 2017

Durham Press is pleased to announce Mickalene Thomas’s solo exhibition, Waiting on Prime-Time Star, now on view at Newcomb Art Museum of Tulane University. The exhibition brings together more than 40 works of paintings, photographs, prints, collages, sculpture, film, and installation, including Sleep: Deux Femmes Noires, a mixed-media collage printed and published with Durham Press.

MT_Sleep

Copyright of Durham Press and the artist

The print, “Sleep: Deux Femmes Noires,” is an ambitious work made with 61 colors, 58 screens, 27 individual blocks, and 50 different collage components, including mahogany and cherry veneers. Each component and process adds to the lush composition of color, texture and pattern. The figures included in the collage are printed from an interior scene Thomas composed and photographed at 20 x 24 Studio in New York using a large format camera. Many of the landscape photographs used in the print are from Thomas’s personal travel in Africa.

For more information on the exhibition, please visit Newcomb Art Museum.

Mickalene Thomas has been working with Durham Press since 2010, and her prints are available directly through our gallery. Please contact Gwyneth Fearnhead for more information.

Current Press
The New Orleans Times 
Art Daily
Tulane University
___________________________________________________________________________

Durham Press @ Baltimore Contemporary Print Fair

PFLogo2017 copy

Durham Press will be exhibiting at Baltimore Contemporary Print Fair April 1st and 2nd with a VIP preview Friday, March 31st. The biennial fair is held at the Baltimore Museum of Art at 10 Art Museum Drive, Baltimore, Maryland.

Dates & Hours
Friday, March 31    6pm – 8:30pm VIP Preview
Saturday, April 1   10am – 8pm
Sunday, April 2     10am – 5pm

For more information about the fair please click here.
_____________________________________________________________________________

On View: Emil Lukas @ Sperone Westwater

East_Gallery_view_2_copy0

Photo courtesy of Sperone Westwater

Sperone Westwater – January 7, 2017 – February 11, 2017

Durham Press is pleased to announce Emil Lukas’s solo exhibition at Sperone Westwater in New York. The new works on view debut expansions of four series, including Stacks, Thread Paintings, Bubble-Wrap Paintings, and his newest work, Liquid Lens, an aluminum sculpture constructed from welded and calibrated aluminum tubes.

Liquid Lens is an interactive lens that breaks down the elements of seeing on a large scale. The curved shape of the sculpture is a “material manifestation of one-point perspective – the form of the piece mimics the way all lines converge at the vanishing point.” Many of Lukas’s new pieces are shape-shifters, changing in appearance depending on light and view point. “In a weird way, I consider these paintings, because they’re a warped surface that been manipulated and altered to create this event,” Lukas says.

Credit Courtesy of Sperone Westwater

Photo courtesy of Sperone Westwater

Current Press
The New York Times
Sperone Westwater – Press Release
_____________________________________________________________________________

On View: Hurvin Anderson @ Michael Werner

and-install-02

Photo credit: Michael Werner Gallery

Michael Werner Gallery – November 4, 2016 – January 14, 2017

Durham Press is pleased to announce Hurvin Anderson’s solo show, Foreign Body, now on view at Michael Werner Gallery, New York. Anderson’s paintings often return to the same locations and scenes of the Caribbean, revealing different imagery and techniques with each reiteration. “Anderson’s newest paintings move toward abstraction, suggesting boundaries and shifting viewpoints, creating a sensation akin to a flicker of memory.” The show is on view at the gallery’s Upper East Side location until January 14th. 

For more information on this exhibition please visit Micheal Werner Gallery website.

Current Press
Forbes Lifestyle
Blouinartinfo
_____________________________________________________________________________

New Release: Polly Apfelbaum

pa_hrvn_all_3

Hudson River Valley Nirvana | Woodblock on Handmade Japanese Paper | Edition of 15

Durham Press has completed a new series of prints with Polly Apfelbaum: Hudson River Valley Nirvana. Initially conceived in 2012, these six woodblock prints use vertical lines and a square format as a starting point from which to explore the interaction of primary and secondary colors.

Apfelbaum adopted a systematic approach to discover the possible images within a set of parameters, much like Joseph Albers’ Interaction of Color. Printed with dozens of narrow wooden blocks, the six works feature the same set of primary and secondary colors that are repeated in different arrangements, with a largely symmetrical structure applied to each image. The variation among the series showcases the unexpected results that can arise from a clear and controlled process. This compositional strategy recalls her early floor works and was an inspiration for a woven floor installation created for the Miss Dior exhibition at the Grand Palais, Paris, in 2012.

Hudson River Valley Nirvana, like many of Apfelbaum’s works, draws on diverse influences spanning art history, pop culture, and religion. The artist likened the chromatic effect of the prints to the dynamic skies captured by the Hudson River School painters. (Apfelbaum herself spends time in the region, which is a short trip from her New York City studio.) The Hudson River School is one among many of the prints’ artistic and cultural referents. They relate to Minimalism with their fixed compositional structure, but also to psychedelic and Op art. The title of the series, too, is loaded with allusions—for the artist, Nirvana refers equally to the Buddhist concept of enlightenment as it does to the Seattle grunge band. This combination of the “spiritual and punk rock” suggests that viewers are invited both to consider the nuances of the series in quiet contemplation as well as to take in the prints’ energetic colors in quick, unfettered moments. 

Hudson River Valley Nirvana and many other prints by Polly Apfelbaum are available directly through Durham Press. For more information, including pricing, please contact Gwyneth Fearnhead.

The Series, as well as new unique works by Polly Apfelbaum, is now on view in NYC at Senior & Shopmaker Gallery untill January 14th.

dsc_0249

dsc_0576

dsc_0637

pa_hrvn_installation2card_____________________________________________________________________________