James Nares, long-time Durham Press friend and collaborator , returned to the studio recently to complete work on his new screenprint, THUMP. This new edition is the 13th print James has created at Durham Press, and he and JP (the master printer here) continue to push the dynamic dimensionality of his painted brushstrokes into amazing, rich, vibrant screenprinted editions. When asked recently about his experience of working at Durham Press and with JP on this process, James said:
Working at Durham Press is really a pleasure. JP’s knowledge of, and experience with the silkscreening process is second to none, and working with him is a collaboration, as with another artist. He has come up with an ingenious method to create screen prints of my brush strokes which have all the body and tones of an actual, painted brush stroke, but without the use of half-tone…
For those maybe unfamiliar with the screenprinting process, creating a halftone is the process of turning all the tone in an image into various sized and spaced dots in order to create the tonal variation. This allows all of the tone to be printed at once and is what you are looking at when you see a black and white photo printed in the newspaper, for example. What gives James’ prints the fluidity, the subtle shift in tone and the overall richness of color is that is is not printed as a halftone, but is rather broken down into 10-15 layers of varied tone and color and then rebuilt, through printing each layer one on top of the other. It is a complicated process, but creates a seamlessness in the color and tonal shifts that would not be possible otherwise.
To see THUMP as well as some of the other work James has produced with Durham Press, please visit our booth at the IFPDA Print Fair in New York City. The fair is held at the Park Avenue Armory and runs from November 5th – November 8th, 2009.
Also, James film Rome in ’78 is currently being shown at MOMA as part of the film exhibition, Looking at Music: Side 2. The next screening will be on Saturday, November 28th at 7:30 p.m. The film, according to the MOMA website, is “a narrative about the Roman emperor Caligula set in a shabby Manhattan apartment, proposes an analogy between ancient Rome and modern America as cultural empires. The image below is a still from the film.