On View: Durham Press Artist’s Fall Shows

 Mariposa, 2004 Acrylic on canvas 98 x 98 inches Private Collection Photograph by Sérgio Guerini. Courtesy of Galeria Almeida & Dale. ©2014 Beatriz Milhazes


Mariposa | 2004, Acrylic on canvas, 98 x 98 inches
Private Collection, Photograph by Sérgio Guerini. Courtesy of Galeria Almeida & Dale. ©2014 Beatriz Milhazes

Beatriz Milhazes: Jardim Botanico

PAMM, Pérez Art Museum Miami  – Sept. 19, 2014 – Jan. 11, 2015

This is Beatriz’s first major U.S. retrospective and will feature over 40 large-scale abstract paintings, collages and screenprints inspired by Brazilian and European Modernism, Baroque forms, popular culture, and the decorations of Carnival.  During the early 1990s, the artist developed an unusual painting technique, in which she adhered separate images executed in acrylic paint—such as flowers, arabesques, lace patterns or peace-signs—onto canvases in a style that references collage, graffiti, and plastic decals. This practice results in richly textured surfaces that appear prematurely aged. The exhibition will  examine Milhazes’s evolution from softer, more decorative forms to harder-edged abstraction. Several Durham Press prints will be featured as well!

Blow-Up | 1997, stretch velvet, fabric dye.
courtesy of Worcester Art Museum ©2014 Polly Apfelbaum

Polly ApfelbaumNevermind: Work for the 90s

Worcester Art Museum – October 8, 2014 – March 1, 2015

Polly Apfelbaum’s exhibition for the Worcester Art Museum will focus on the 1990s and will include a selection of her rarely seen early synthetic velvet and fabric dye works which developed into her now-iconic floor installations (or “fallen paintings”), exemplified by Blow-Up (1997) in the Museum’s collection.

 

Architects Of The Future - City Inside Her | 2014

Architects Of The Future: City Inside Her | 2014, Woodblock and Screenprint, 25 3/4 x 44 1/4 inches

Chitra GaneshOn Paper: Alternate Realities

The Baltimore Museum of Art – September 21, 2014-April 12, 2015

An exhibition of 26 prints from a diverse group of artists, this new show explores the relationship between high and low art by reimagining the visual language of popular culture. Featured artists include Wangechi Mutu, Amy Cutler, Chitra Ganesh, and Enrique Chagoya.

 

2012 Sculpture Diorite granite and concrete 35 × 456 × 21 2/3 ft. (10.67 × 138.98 × 6.6 m) Weight: 340 Tons

Levitated Mass | 2012, Sculpture, Diorite granite and concrete, 35 × 456 × 21 2/3 ft. Weight: 340 Tons
Courtesy of LACMA. © 2012 Michael Heizer

Michael Heizer, Levitated Mass: The Film

Levitated Mass is a film documenting the installation, transportation and sensation of Michael Heizer’s monolithic sculpture: Levitated Mass: The film was created by  Doug Pray and the sculpture is installed at LACMA. The film, which opened to rave reviews, can be viewed at the following:

Los Angeles, CA Landmark Nuart Opens September 5, 2014
Pasadena, CA Laemmle Playhouse 7 September 13 – 14, 2014
Seattle, WA SIFF Cinema September 26 – 28, 2014
Howell, MI Historic Howell Theater October 2 – 5 & 21 – 24, 2014
San Diego, CA Media Arts San Diego October 4 – 8, 2014
Portland, OR Northwest Film Center October 5 – 6, 2014
Santa Fe, NM CCA Cinematheque Opens October 10, 2014
Chicago, IL Gene Siskel Film Center October 24 – 30, 2014
New York, NY Elinor Bunin Munroe Film Center Opens November 14, 2014

 

courtesy of Paul Kasmin Gallery

Untitled | 2014 ink on paper, 60 x 95 inches
courtesy of Paul Kasmin Gallery, James Nares ©

James NaresHigh Speed Drawings

Paul Kasmin Gallery – Currently to October 25, 2014

HIGH SPEED DRAWINGS demonstrates Nares’ masterful ability to capture precise moments in time and extend them through visual representation. In his new body of work, Nares introduces a new technique, using Chinese ink on paper to create rippling lines of various widths.

In a similar fashion to his Brushstroke paintings and ROAD PAINT series, Nares re-appropriates mechanical tools to create his artworks. He utilizes a spinning steel drum, powered by a motor. As the drum, with paper fastened to it, rotates, the artist draws lines of ink using paintbrushes he has created specifically for this body of work. As a result of the spinning drum and the artist’s precise movements, each band takes its own form. Nares’ artworks showcase his exploration on the subject of movement; some drawings he creates with one steady line, others from a continuously repeating stroke, but all manifest a careful choreography of spontaneity and control.”

Read James Nares “High Speed Drawings” article

 

Clarivel Centered | 2014 Rhinestones, acrylic, oil and enamel on wood panel 60 x 96 inches
courtesy of Galerie Nathalie Obadia © 2014 Mickalene Thomas

Mickalene Thomas

Femme au Divan 

Gallerie Nathalie Obadia – September 11th – October 28th

A solo exhibition at Galerie Nathalie Obadia in Paris, including works from the Femme au Divan II exhibition in Monaco earlier this summer, a new selection of paintings, collages, and new film installation will be on view.’

I Was Born to do Great Things

Kavi Gupta Gallery – September 19 – November 15, 2014

I Was Born to do Great Things, at Kavi Gupta Gallery Chicago continues the exploration of my mother and muse, Sandra Bush. Following the film Happy Birthday to a Beautiful Woman (2012), the exhibition acts as a portrait of my mother through her belongings. Taking the form of a domestic installation, the exhibition will include a series of bronze works cast from these personal items. Carrying great significance to both mother and daughter, these articles of clothing and jewelry are destroyed through this process of casting and are preserved and transformed into highly finished objects of nostalgia and memory.

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